One of my bros spotted this empty pool when his dads car broke down. It sometimes pays off to wander into the depths of the ghetto. We panned a mission and shredded it for nearly two hours after sweeping it out. the best part was the dust monster attacking my equipment. A pool shredding dream. Enjoy








I went to Vegas last week, to go see what gear I’ll be riding/ sporting next season. The show is called SIA [ I still have no idea what those letters stand for ]. My ‘wife’ tagged along and we were staying with C+ S + Uncle Dave [SouthShore Soldiers].
It was fun, wasn’t it for the sad fact that I got super sick on Tuesday night and was hallucinating on the plane, popping mucinex and anti flu pills like they were m&m’s.
I bruised my tailbone on Monday when my new craigslist friend T told me that I should […]
Read the full post by M |
The Busy Signals
Self-titled
Dirtnap Records
As always, Dirtnap Records is staying loyal to good sounds and introducing listeners to fun rock such as The Busy Signals. If a more sinister and less-Hairy Debbie fronted for the New York Dolls, this could be the unrefined result. Smashing it up with good guitars, inspired drumming, and unruffled album art suggestive of older LP material, The Busy Signals of Chicago are shrieking realism like only the qualified can. – Kelly D. Williams, Mannerist Zine
Revisions
Revised Observations
Dirtnap Records
Revised Observations is the studio creation of Doug Burns and members of Clorox Girls performing “acoustic punk rock.” At first I was doubtful of this claim, but like the Minutemen of yesterday and The Evens of today have already verified, unplugged punkrock is certainly a possibility. My only quip is that the vocals (or at least the production of the vocals) could use some general variation. I found myself getting bored with the unswerving manner of singing they employed. Don’t let that discourage you, because there is definitely a place in every record collection for this album. The ghostly echo of their makeshift recording studio is haunting enough for me to never forget these guys. Check out the other Dirtnap Records releases, too. These Portland folks are putting out some seriously good music. – Kelly D. Williams, Mannerist Zine
I did this painting this past summer for the Cape Kiwanda Longboard Contest here in Oregon. My goal with it was to represent the place and mood of the contest. I wanted to capture the feel of Oregon summer surf. Which can be a bit wind-blown and small, but still fun with the right equipment. The actual painting technique I am playing with can be time consuming, but I like the end result.
Tommy Guerrero
Return Of The Bastard
Galaxia-Platform Records
If you’re uncertain who Tommy Guerrero is by now, you’ve possibly picked up the wrong magazine. This album doles out an aesthetic continuation of 1998’s Loose Grooves & Bastard Blues, which was the freshman record that solidified Guerrero’s presence in the world of music. Smoother than a motor-oil sandwich and just as smooth as his command of the SF streets on his shred appliance, Guerrero’s latest release combines his intelligible jazz-samba-rock tour de force of albums past with the newer soundscape found on later releases like From The Soil To The Soul. “Bloodinthemud” and “Zapata’s Boots” are great songs, and although some of tracks with vocals come off slightly weaker than you’d expect, if listened to in consideration of this albums correlation to TG’s debut Loose Grooves & Bastard Blues, it’s obvious that Guerrero knows what he’s doing and is getting better at it each day. I love Chuck Treece’s contribution to this record, and If you know & respect TG’s saga on or off a skateboard, you ought to pick up all his records in chronological order and skate on to some of the best music life has to offer. – Kelly D. Williams, Mannerist Zine